An Update!!
Jeff Buckley – Grace
I heard about Jeff Buckley from a couple friends and then heard his seminal 1994 album, Grace. Though it did not have a huge impact on the US music scene, it was highly influential on Britpop and other European genres. Buckley himself is an extremely talented vocalist with an eerily smooth, piercing voice that he masterfully exhibits throughout the album. And though the main reason to listen to this album is Buckley’s voice, the songs on here are good, particularly the two consensus picks. The album is more than the sum of its parts, though, and is great for fans of light, poppish music like DMB—or for a nice, quiet evening around the table with someone.
Picks: Grace, Hallelujah
Pearl Jam – Rearviewmirror
Pearl Jam broke onto the musical scene in 1992 with their landmark release, Ten, then followed it up with a couple other hard-rocking grunge albums before switching to a more mature sound later in their careers. They are an interesting band for the dynamic switch that occurred around their fourth album, as well as the amazing quality of the songs they put out and, of course, their battles with the music industry. But despite the difficulties of creating a “Greatest Hits” album for such a complex band, Rearviewmirror is perhaps the best collection one could wish for. The “Upside”/“Downside” distinction allows for a good portrayal of the band’s many styles: everything from the punk-ish “Do The Evolution” to the stately “I Am Mine” is included here. The DualDisc idea also allows for two good CDs to be produced, with different purposes. If you want to see why millions love Pearl Jam, look no farther than here.
Picks: Too many to mention, especially Wishlist, Given To Fly, and a host of others
Pearl Jam – Pearl Jam
This album is being hailed by many as a “return to the days of ‘Ten’,” but to me, it’s more of a blending of styles. The guitars and bass are as tight as they have been on the last few albums, but Eddie Vedder’s voice—something that has been lacking for a long time—is finally back to a level similar to, say, 1996. Vedder’s writing is also better than it has been but not like the old style. Perhaps most significantly, Matt Cameron, the drummer for Pearl Jam since 1998, has finally found a place in Pearl Jam’s incredibly tight, powerful sound that he can wedge himself into. Though he’s always been a master at fitting his band’s sound, holding it together, and playing intricate rhythms, he’s seemed content to do the first two without the latter until this album. Regardless, this is an excellent album that flows incredibly for at least seven tracks, if not its entirety. Once again, Pearl Jam has shown us their ability to change their style and produce awesome material.
Picks: Gone, Severed Hand, Life Wasted, Parachutes
Silvertide – Show and Tell
Silvertide is one of the best live bands you will ever see. Not only do they spit out their infectious grooves, they are electric (when sober), and lead singer Walt Lafty never stands still for a second. It is this kind of energy that is packed into their debut album, Show and Tell. The first six songs are just high-energy, shout-a-long songs perfect for a summer drive down any kind of highway. The slower songs also work well, but lack a certain flair that the rest of their material has. “Nothing Stays,” in particular, is quite the forgettable track. But the entirety of the CD is a non-stop party and deserves a spot in your car radio this summer.
Picks: Devil’s Daughter, Ain’t Coming Home, California Rain, Mary Jane, Heartstrong
Shinedown – Us and Them
When I first heard Shinedown, I was somewhat impressed. I liked some of their songs and they had a slightly creative style, but their debut was too heavy and rough-edged for my tastes. But their sophomore album, 2005’s Us and Them, is as complete of an album as I’ve seen in a while and easily my favorite of 2005 (and a personal top 10). Brent Smith has an extremely good voice, but he pulls back here instead of over-singing half the songs, in order to let the band, which tightened their sound, to really gel and thunder out tunes like the rumbling “Heroes” or the bluesy foot-tapper “Atmosphere.” Smith’s lyrics are also excellent, honestly pondering but hopeful and ever earnest, and Smith really holds the band together throughout the album. It’s a good thing he does, because the thing that is special about this disc is the amount of variety contained in it. There are the standard roaring stomps that Shinedown is known for, but there are great acoustic songs, bloated ballads, poppish leanings, and riff-driven rockers. The more I’ve listened closely to this, I’ve appreciated this album for the honesty and sincerity of it and the artistic variety of it, and I encourage anyone to give it a listen.
Picks: I Dare You, Heroes, Save Me, Shed Some Light, Some Day

